http://sedimentarts.org SedimentArts Thu, 23 Jul 2015 13:21:46 +0000 http://sedimentarts.org en http://sedimentarts.org/INTERNSHIPS http://sedimentarts.org/following/sedimentarts.org/INTERNSHIPS Thu, 23 Jul 2015 13:21:46 +0000 SedimentArts 10197013 FALL SEMESTER APPLICATION DEADLINE: AUGUST 10th!<br /> <br /> <br /> Initiated in late 2013, SEDIMENT is an artist-run gallery and storefront located in Richmond, Virginia. SEDIMENT organizes exhibitions, produces artists publications, hosts experimental music events, educational workshops, and lectures that feature the work of relevant and engaging contemporary visual and performing artists whose work embraces interdisciplinary, multimedia and collaborative approaches to creative production. To date SEDIMENT has held fourteen exhibitions and eight performance events featuring the work of over forty local, regional, and national artists. A multifunctional space, SEDIMENT is home to a gallery, storefront, artist studios, and rehearsal space. <br /> <br /> <br /> SEDIMENT will be offering two non-paid internship positions beginning late August of 2015.<br /> Students enrolled in University programs should contact their academic advisor about receiving credit for their internship at SEDIMENT.<br /> <br /> <br /> Interns receive experience in major aspects of our operations such as:<br /> <br /> -working with artists and the Directors for the installation and deinstallation of exhibitions<br /> <br /> -planning for exhibitions and performance events <br /> <br /> -communications and planning for artists book publications and other press materials<br /> <br /> -gallery sitting, retail operations both in-store and online, and educational tours<br /> <br /> -marketing and press relations<br /> <br /> -artist-run, non-profit gallery and small business administration<br /> <br /> Internships at SEDIMENT last five months from August through December and January through May. We do not offer summer internships. Applications for fall internships are due August 10th, 2015. Spring internship applications are due December 1st, 2015. <br /> <br /> <br /> Submit the following materials:<br /> <br /> -Application form [HERE-.docx] [HERE-pdf]<br /> -Current resume<br /> -One reference with phone number and email<br /> -Cover letter with statement of interest<br /> <br /> Contact sedimentarts@gmail.com with questions.<br /> FALL SEMESTER APPLICATION DEADLINE: AUGUST 10th! Initiated in late 2013, SEDIMENT is an artist-run gallery and storefront located in Richmond, Virginia. SEDIMENT... http://sedimentarts.org/THE-ALL-NIGHTERS-2015 http://sedimentarts.org/following/sedimentarts.org/THE-ALL-NIGHTERS-2015 Tue, 16 Jun 2015 15:39:47 +0000 SedimentArts 10027498 M I X I N G / M A K I N G / E X C H A N G I N G , the closing event for The All-Nighters, made possible with the support of a special cycle grant from CultureWorks, starts on Friday, October 2nd. All the unused materials from The All-Nighters will be brought back into the gallery along with basic tools and supplies for the public to make new pieces, collaborate with each other, and exchange what you make for another work of what you consider equal value. This “silent auction/rally” is open for anyone to participate, you are encouraged to come with friends and family and make works to exchange with one-another.<br /> <br /> SEDIMENT will begin the Mixing/Making/Exchanging Rally on Friday, October 2nd from 6-11pm and continue on Saturday October 3rd from 1-9pm.<br /> <br /> Remaining materials include: 40+ cut panels of smooth plywood ranging from 6” square to 12”x16”, acrylic paint and brushes, fabric, shells, white marble, various glues, 30+ 6” metal springs with hooks, four glass mirrors, various glass containers, drawing paper, photographs and slides, photo books, molding clay, and more. <br /> <br /> SEDIMENT’s team, along with one of the All-Nighters artists, Janelle Proulx, will serve as guides–leading you through the materials and opening-up possibilities for making and collaborating with one another. <br /> <br /> $3 cocktails will be served at a cash bar for the event. <br /> <br /> Thank you to CultureWorks' Richmond Arts and Culture District Microgrant Program for their support of this special event.<br /> <br /> <br /> PUBLICATION RELEASE<br /> <br /> The SEDIMENT team is releasing a publication for The All-Nighters exhibition that reveals many hidden aspects of the process, including the artists own statements, screenshots from the web cameras, reflection statements from the exhibition organizers, and selected images taken throughout the cycles. <br /> <br /> The publication will be released on the October 2nd Mixing / Making / Exchanging event and includes ten 4x6 postcards, one fold-out poster, two 1/4 letter booklets, exhibition flyers with a silkscreen print, and other ephemera, packaged in a laser-cut box.<br /> <br /> Edition of 25 for $25 each.<br /> <br /> Order via Paypal:<br /> <br /> <br /> <br /> <br /> <img alt="" border="0" src="https://www.paypalobjects.com/en_US/i/scr/pixel.gif" width=".5" height=".5"><br /> <br /> <br /> <br /> <br /> <br /> The All-Nighters logo was designed by Chino Amobi<br /> <img src="http://payload386.cargocollective.com/1/14/462724/10027498/The-All-Nighters-poster2_670.jpg" width="640" height="981" width_o="3375" height_o="5175" src_o="http://payload386.cargocollective.com/1/14/462724/10027498/The-All-Nighters-poster2_3375.jpg" data-mid="55002591" border="0" align="left" data-title="640 — 670 × 1027"data-hi-res="http://payload386.cargocollective.com/1/14/462724/10027498/The-All-Nighters-poster2_1340_c.jpg" /><br /> <br /> THE ALL-NIGHTERS is an evolving installation embracing iterative creative practice as a basis for communication and response. 4 artists each have a 72 hour work cycle at SEDIMENT, living and working in the gallery and overlapping with the following artist–inviting possibilities for collaboration. A 10ft x 10ft x 8ft three-walled structure built inside the gallery serves as the ultimate point of convergence for processing, arranging, and presenting the artists work. At the conclusion of the work cycles, the walled structure will be unveiled along with virtual documentation of the process. All-Nighters artists have supplied limited material-lists for the local Richmond community to donate (scroll below to view the material lists). Ranging from raw materials to invitations for participation, the All-Nighters may use only the materials that the public has offered. <br /> <br /> THE ALL-NIGHTERS ARTISTS ARE:<br /> Carl Marin<br /> Evelyn Walker<br /> Janelle Proulx<br /> Alexandra Leon<br /> <br /> ARTIST'S MATERIAL LIST REQUESTS:<br /> <br /> Image 1 and 2: Evelyn Walker<br /> Image 3: Janelle Proulx<br /> Image 4: Alexandra Leon<br /> Image 5: Carl Marin<br /> <br /> <img src="http://payload386.cargocollective.com/1/14/462724/10027498/sediment-materials-list--ECW_670.jpg" width="640" height="494" width_o="3256" height_o="2516" src_o="http://payload386.cargocollective.com/1/14/462724/10027498/sediment-materials-list--ECW_3256.jpg" data-mid="54983127" border="0" align="left" data-title="640 — 670 × 517"data-hi-res="http://payload386.cargocollective.com/1/14/462724/10027498/sediment-materials-list--ECW_1340_c.jpg" /><img src="http://payload386.cargocollective.com/1/14/462724/10027498/sediment-_-materials-list--ECW_670.jpg" width="640" height="454" width_o="3264" height_o="2316" src_o="http://payload386.cargocollective.com/1/14/462724/10027498/sediment-_-materials-list--ECW_3264.jpg" data-mid="54983132" border="0" align="left" data-title="640 — 670 × 475"data-hi-res="http://payload386.cargocollective.com/1/14/462724/10027498/sediment-_-materials-list--ECW_1340_c.jpg" /><img src="http://payload386.cargocollective.com/1/14/462724/10027498/JANELLEMATERIALS-LIST_670.jpg" width="640" height="640" width_o="1500" height_o="1500" src_o="http://payload386.cargocollective.com/1/14/462724/10027498/JANELLEMATERIALS-LIST_1500.jpg" data-mid="55002628" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload386.cargocollective.com/1/14/462724/10027498/JANELLEMATERIALS-LIST_1340_c.jpg" /><img src="http://payload386.cargocollective.com/1/14/462724/10027498/leon_list_670.jpg" width="640" height="640" width_o="720" height_o="720" src_o="http://payload386.cargocollective.com/1/14/462724/10027498/leon_list_720.jpg" data-mid="55152896" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload386.cargocollective.com/1/14/462724/10027498/leon_list_720.jpg" /><img src="http://payload386.cargocollective.com/1/14/462724/10027498/Sediment-Material-List_642.jpg" width="640" height="640" width_o="642" height_o="642" src_o="http://payload386.cargocollective.com/1/14/462724/10027498/Sediment-Material-List_642.jpg" data-mid="55152904" border="0" align="left" data-title="640 — 642 × 642"data-hi-res="http://payload386.cargocollective.com/1/14/462724/10027498/Sediment-Material-List_642.jpg" /> M I X I N G / M A K I N G / E X C H A N G I N G , the closing event for The All-Nighters, made possible with the support of a special cycle grant from... http://sedimentarts.org/ARTISTS http://sedimentarts.org/following/sedimentarts.org/ARTISTS Sat, 11 Apr 2015 16:26:45 +0000 SedimentArts 6960059 EXHIBITING ARTISTS<br /> Paloma Barhaugh-Bordas<br /> Jon Duff<br /> Ryan Crowley<br /> David Kenedy<br /> Courtney McClellan<br /> Whitney Lynn<br /> Bryan Lewis Saunders<br /> Alex Artz<br /> Alex Matzke<br /> Tony Smith<br /> Josh Thorud<br /> Andrea Vail<br /> Genevieve Lowe<br /> Ela Boyd<br /> Aaron Farley<br /> Joe Yorty<br /> Allison Wiese<br /> Brianna Rigg<br /> Jihyung Yoon<br /> Jerry Walters<br /> Raven Cole<br /> Cathy Fairbanks<br /> Bonnie Staley<br /> Christopher Kardambikis<br /> The Institute for New Feeling<br /> <br /> <br /> PERFORMERS<br /> John Wiese<br /> Pedestrian Deposit<br /> Jerome<br /> Geneva Jacuzzi<br /> Container<br /> Lescalleet<br /> Pharmakon<br /> <br /> <br /> MEMBERS<br /> Claire Zitzow<br /> Gary Stevens<br /> Kim Zitzow<br /> Dana Ollestad<br /> <br /> <br /> SPECIAL OTHERS<br /> East Grace Studios<br /> The Smile Face Museum<br /> Whatnothing Press<br /> Chino Amobi<br /> Open Space EXHIBITING ARTISTS Paloma Barhaugh-Bordas Jon Duff Ryan Crowley David Kenedy Courtney McClellan Whitney Lynn Bryan Lewis Saunders Alex Artz Alex Matzke Tony Smith... http://sedimentarts.org/PREVIOUS http://sedimentarts.org/following/sedimentarts.org/PREVIOUS Thu, 27 Mar 2014 01:02:59 +0000 SedimentArts 7598723 THE FELT BOOK<br /> The Institute for New Feeling<br /> 07.03.2015<br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-FELTBOOK-poster-small_240.jpg" width="240" height="371" width_o="240" height_o="371" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-FELTBOOK-poster-small_240.jpg" data-mid="54980507" border="0" align="left" data-title="640 (240) — 240 × 371"/><br /> <br /> The Felt Book from the Institute for New Feeling.<br /> <br /> <br /> The Felt Book is a new collaborative publication featuring a collection of home remedies created by 40+ invited artists. It is inspired by the structure of Fluxus scores, YouTube tutorials and eHow articles. The works submitted may be as simple as a single sentence, while others include images, video, and web-based interactions. Each artist is asked to take on the IfNf mission statement: to explore "new ways of feeling, and ways of feeling new." <br /> <br /> The Felt Book has just launched in conjunction with an exhibition at SPACES in Cleveland, OH January 30-March 27, 2015. The remedies will be released individually as a year-long weekly email subscription service, and then compiled into a permanent online publication in 2016.<br /> <br /> <br /> <br /> DYNAMICS OF AN ASTEROID<br /> 05.03.2015 - 05.30.2015<br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/Asteroid-sm2_240.jpg" width="240" height="368" width_o="240" height_o="368" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Asteroid-sm2_240.jpg" data-mid="53945904" border="0" align="left" data-title="640 (240) — 240 × 368"/><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DoaA_front_entry_670.JPG" width="640" height="475" width_o="3500" height_o="2600" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DoaA_front_entry_3500.JPG" data-mid="53945323" border="0" align="left" data-title="640 — 670 × 497"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DoaA_front_entry_1340_c.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DoaA_atom-style_table_across_670.JPG" width="640" height="426" width_o="3500" height_o="2333" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DoaA_atom-style_table_across_3500.JPG" data-mid="53945333" border="0" align="left" data-title="640 — 670 × 446"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DoaA_atom-style_table_across_1340_c.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DoaA_worlds_antiworlds_670.JPG" width="640" height="422" width_o="3500" height_o="2309" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DoaA_worlds_antiworlds_3500.JPG" data-mid="53945292" border="0" align="left" data-title="640 — 670 × 442"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DoaA_worlds_antiworlds_1340_c.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DoaA_table-2-side_670.JPG" width="640" height="405" width_o="3500" height_o="2220" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DoaA_table-2-side_3500.JPG" data-mid="53945304" border="0" align="left" data-title="640 — 670 × 424"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DoaA_table-2-side_1340_c.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DoaA_overall-back-corner_670.JPG" width="640" height="438" width_o="3500" height_o="2401" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DoaA_overall-back-corner_3500.JPG" data-mid="53945317" border="0" align="left" data-title="640 — 670 × 459"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DoaA_overall-back-corner_1340_c.JPG" /><br /> <br /> In 1877 Jules Verne published his novel Off on a Comet! in which a comet collides with the Earth. The connection is brief, but the event has pulled people, architecture and a familiar geography to its new surface. The Comet, the Earth and the relocated people survive the catastrophe but all are faced with a new, surreal reality.<br /> <br /> I am using this story as a departure point and swapping Verne’s Comet, Gallia, with the Asteroid Perses–twisting this story and playing it for optimistic dystopian space-horror. Asteroid Perses has collided with the Earth. The impact has collected people, molded new geographies, transferred vegetation, and embedded structures into the surface of the small planetoid. Perses, the once barren rock on a degrading orbit has briefly brushed against the surface of our planet and taken with it a small cross-section of our lives - cars, dumpsters, bicycles, fences, city blocks full of architecture. What does it mean to land on/live with/travel on a dead thing amongst ruins? How do you build an understanding of history while completely removed from the source? Can Society rise from the chaos of the Asteroid’s slow, violent, trajectory through space? Will Perses’ orbit cross with Earth’s again? Has anyone on Earth survived? <br /> <br /> This work crosses an optimistic and fantastic look at potential end-of-the-world scenarios recent proposals and milestones of space exploration. NASA and JPL’s proposals to capture and explore asteroids, the recent landing on comet Rosetta, the private sector’s interest in Asteroid mining all smashed together with the science fiction of space exploration and the early fantastic travel stories of Verne. I am assimilating the storytelling and information design of Paul Laffoley, the diagraming of Dispensationalism, the engravings of Alfred Kubin, and the otherworldly and epic sci-fi imagery of Jack Kirby into my established visual language.<br /> <br /> <br /> Christopher Kardambikis is exploring an absurd mythology for the future through drawings, paintings, and books. Currently a resident at Pioneer Works, he is continuing his ongoing Book-a-Month project playing with the book form while experimenting with materials, process, and space. He has co-founded three artist book and zine projects: Encyclopedia Destructica in Pittsburgh, Gravity and Trajectory in San Diego, and 90 Proof Press in Los Angeles. Christopher has been an artist-in-residence at the Art Students League, Vermont Studio Center, the Virginia Center for the Creative Arts, the Millay Colony, and the Pittsburgh Center of the Arts. He received his BFA from Carnegie Mellon University and MFA from the University of California, San Diego.  He currently lives in Brooklyn.<br /> <br /> Hyperallergic Interview with Christopher Kardambikis.<br /> <br /> Kardambikis is the cofounder of Encyclopedia Destructica and Gravity and Trajectory.<br /> <br /> <br /> <br /> SCATTER/STRUCTURE<br /> 04.03.2015-04.18.2015<br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/ScatterStructure-poster-web_240.jpg" width="240" height="368" width_o="240" height_o="368" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/ScatterStructure-poster-web_240.jpg" data-mid="53945945" border="0" align="left" data-title="640 (240) — 240 × 368"/><img src="http://payload264.cargocollective.com/1/14/462724/7598723/ss_1_670.JPG" width="640" height="426" width_o="1000" height_o="667" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/ss_1_1000.JPG" data-mid="53945920" border="0" align="left" data-title="640 — 670 × 446"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/ss_1_1000.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/ss_23_670.JPG" width="640" height="436" width_o="1000" height_o="682" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/ss_23_1000.JPG" data-mid="53945926" border="0" align="left" data-title="640 — 670 × 456"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/ss_23_1000.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/ss_24_670.JPG" width="640" height="426" width_o="1000" height_o="667" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/ss_24_1000.JPG" data-mid="53945929" border="0" align="left" data-title="640 — 670 × 446"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/ss_24_1000.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/ss_27_667.JPG" width="640" height="960" width_o="667" height_o="1000" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/ss_27_667.JPG" data-mid="53945931" border="0" align="left" data-title="640 — 667 × 1000"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/ss_27_667.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/ss_29_667.JPG" width="640" height="960" width_o="667" height_o="1000" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/ss_29_667.JPG" data-mid="53945936" border="0" align="left" data-title="640 — 667 × 1000"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/ss_29_667.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/ss_30_670.JPG" width="640" height="426" width_o="1000" height_o="667" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/ss_30_1000.JPG" data-mid="53945940" border="0" align="left" data-title="640 — 670 × 446"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/ss_30_1000.JPG" /><br /> <br /> Scatter/Structure is an exhibition of works by VCU’s Crafts/Material Studies Fountainhead Fellows Sarah Nance and Heather McCalla. Considerations of perception, interconnectedness and ephemerality are central to Nance’s work. Sarah’s installations and spatial drawings challenge the notion of fixed states of being, investigating the shifts between presence and non-presence. Often she uses light-responsive materials whose properties are only fully revealed when viewers experience the work through extended time and physical exploration. Heather McCalla’s current body of work explores the complex feelings and relationships associated with home and family. By utilizing recognizable domestic objects, as well as architectural forms and materials, McCalla attempts to exploit the connection to the human body that is inherent in these systems. <br /> <br /> <br /> Sarah Nance is an American artist working in installation, drawing and sculpture. Light occupies a central role in her work, as it is intimately related to considerations of perception, interconnectedness and ephemerality. In 2014, Nance presented at Third Culture Conversations, a conference bringing together artists and scientists whose research spans the crossover between the two investigative fields. She has also participated in artist residencies in Reykjavík and Skagaströnd, Iceland. Nance completed her MFA at the University of Oregon and is currently a Fountainhead Fellow in Craft & Material Studies at Virginia Commonwealth University. Her work has been shown nationally and internationally, including exhibitions at Disjecta and The White Box in Portland, OR; Loft 594 in Brooklyn, NY; FrontierSpace in Missoula, MT and SÍM Gallery in Reykjavík, Iceland; with an upcoming show at TRUCK Gallery in Calgary, AB.<br /> <br /> Heather McCalla is originally from San Diego, California, where she studied furniture design and woodworking while attending San Diego State University. She obtained her BA in Applied Design in 2006, and worked as a finish carpenter and independent designer for three years before moving to Wisconsin in 2010. McCalla received her MFA from the University of Wisconsin – Madison in 2013, where she subsequently lectured in the furniture design and woodworking department before moving to Richmond. She is currently a Fountainhead Fellow in the Department of Craft an Material Studies at Virginia Commonwealth University. <br /> <br /> <br /> <br /> THE SOUL & THE PAWNSHOP<br /> 03.06.2015 - 03.15.2015<br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-thesoul-web_240.jpg" width="240" height="371" width_o="240" height_o="371" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-thesoul-web_240.jpg" data-mid="51661093" border="0" align="left" data-title="640 (240) — 240 × 371"/><img src="http://payload264.cargocollective.com/1/14/462724/7598723/2_670.jpg" width="640" height="426" width_o="1800" height_o="1200" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/2_1800.jpg" data-mid="51660886" border="0" align="left" data-title="640 — 670 × 446"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/2_1340_c.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/3_670.jpg" width="640" height="426" width_o="1800" height_o="1200" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/3_1800.jpg" data-mid="51660898" border="0" align="left" data-title="640 — 670 × 446"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/3_1340_c.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/4_670.jpg" width="640" height="426" width_o="1800" height_o="1200" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/4_1800.jpg" data-mid="51660911" border="0" align="left" data-title="640 — 670 × 446"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/4_1340_c.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/5_670.jpg" width="640" height="426" width_o="1800" height_o="1200" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/5_1800.jpg" data-mid="51660927" border="0" align="left" data-title="640 — 670 × 446"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/5_1340_c.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/6_670.jpg" width="640" height="426" width_o="1800" height_o="1200" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/6_1800.jpg" data-mid="51660948" border="0" align="left" data-title="640 — 670 × 446"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/6_1340_c.jpg" /><br /> <br /> SEDIMENT accepted all submissions for our March exhibition in celebration of our 13th month! 72 artists near and far shared their work for The Soul & The Pawnshop. <br /> <br /> The organizers of the exhibition, Claire Zitzow and Kim Zitzow, designed a book including all artists in the show. See our STOREFRONT page for more information.<br /> <br /> Participating Artists:<br /> Amanda McGough<br /> Stine Bidstrup<br /> Cathy Fairbanks<br /> Brad Eisenhauer<br /> Ric Bellizzi<br /> Zhuxin Wang<br /> Caitlin Crow<br /> Caleb Kong<br /> Criss Nichols<br /> Brendan Coyle<br /> Zhibang Liu<br /> Paige Mostowy<br /> Nic Desantis and Effie Naîma Yaman<br /> Jordan Marty<br /> Chris Mahonski<br /> Osservalten<br /> Joe Legzz<br /> Joey Fitchett<br /> Mackenzie Williams<br /> Nina Preisendorfer<br /> Nichole Speciale<br /> Natalie Rae Good<br /> Brannon Via<br /> Kyle Falzone<br /> Brian Bark and Lauren Rice<br /> Julian Cline<br /> Deaudrea Rich<br /> Nima Jeizan<br /> Jason Ly<br /> Daniel Jennigan<br /> Sara Clarken<br /> Nikki Painter<br /> Cosima Storz<br /> Wes McQuillen<br /> Inga Schunn<br /> Iona Hall <br /> Brendan Ginsburg<br /> Jeff Plummer<br /> Remy Bordas<br /> Marisa Finos<br /> Alyssa Delly<br /> Roman Maris<br /> Kylin Murren<br /> Bonnie Staley<br /> Eric Diehl<br /> AC Wilson<br /> Devin Balara<br /> Mickael Broth<br /> Emily Jones<br /> Forest Kelley<br /> Johnathan R. Fleming<br /> Claire Zitzow<br /> Kim Zitzow<br /> Jon Duff<br /> Sherezad Maher<br /> Anna Tregurtha<br /> Dana Ollestad<br /> J Noland<br /> Cathy de la Cruz<br /> Janelle Proulx<br /> Chelsea Wills<br /> Kelly Eginton<br /> Gary Stevens<br /> Christina Macauley<br /> Savannah Knoop<br /> Glenn Porter<br /> Andrew Gottschalk<br /> Asim Waqif<br /> <br /> <br /> <br /> <br /> PIN OUTS<br /> Bonnie Staley and Catherine Fairbanks<br /> 02.06.2015 - 02.28.2015<br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-PinOuts-poster-copy_103_240.jpg" width="240" height="371" width_o="240" height_o="371" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-PinOuts-poster-copy_103_240.jpg" data-mid="51083294" border="0" align="left" data-title="640 (240) — 240 × 371"/><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-PinOuts-1sm_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-PinOuts-1sm_1200.jpg" data-mid="51083147" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-PinOuts-1sm_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-PinOuts-2sm_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-PinOuts-2sm_1200.jpg" data-mid="51083156" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-PinOuts-2sm_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMent-PinOuts-3sm_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMent-PinOuts-3sm_1200.jpg" data-mid="51083168" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMent-PinOuts-3sm_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMent-PinOuts-4sm_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMent-PinOuts-4sm_1200.jpg" data-mid="51083174" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMent-PinOuts-4sm_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMent-PinOuts-5_670.jpg" width="640" height="479" width_o="1200" height_o="899" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMent-PinOuts-5_1200.jpg" data-mid="51083185" border="0" align="left" data-title="640 — 670 × 501"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMent-PinOuts-5_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-PinOuts-7_670.jpg" width="640" height="479" width_o="1200" height_o="899" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-PinOuts-7_1200.jpg" data-mid="51083268" border="0" align="left" data-title="640 — 670 × 501"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-PinOuts-7_1000.jpg" /><br /> <br /> "Cyborg imagery can suggest a way out of the maze of dualism in which we have explained our bodies and our tools to ourselves. This is a dream not of a common language, but of a powerful infidel heteroglossia. … It means both building and destroying machines, identities, categories, relationships, space stories. Though both are bound in the spiral dance, I would rather be a cyborg than a goddess."<br /> -Donna Haraway, A Cyborg Manifesto<br /> <br /> Bonnie Staley's recent paintings playfully refigure the female body, possibly lending the cyborgian pin-up women super powers in their fictional world laden with disruptive humor and fantasy. Cathy Fairbanks' paper maché busts stand with an empathetic insistence of the figure as a mutable art object. Empathy is a state of recognition of the infinite difference of others, of ourselves, and it is the backbone of the cyborg. While Staley's women seem to aptly adjust to and even thrive within the environments of which they are both products and agents, Fairbank's cyborg is generally "sick"; ill but surviving. The cyborg allows us to think about the need to adjust to our environment. It is in some ways the form as it reflects the architecture of life and culture.<br /> <br /> About the artists:<br /> <br /> Bonnie graduated from Virginia Commonwealth University with a BFA in Fashion Design and minored in Sculpture. She currently lives and works in Richmond, VA.<br /> <br /> Catherine Fairbanks, whose work is often a recognition of ephemerality and transformation, has had solo and group exhibitions nationally and internationally. She received her MFA from the San Francisco Art Institute in 2010 and since then has attended residencies at The National Textile Institute in Iceland, Skowhegan School of Painting and Sculpture, The Wassaic Project, and Loop Arts. Fairbanks maintains a dual pursuit as a nurse and in 2013 and 2014 respectively was a visiting educator at Otis College of Art and UCLA Medical Center on the topic, The Aesthetics of Empathy. <br /> <br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-Pharmakon-sm_259.jpg" width="259" height="400" width_o="259" height_o="400" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-Pharmakon-sm_259.jpg" data-mid="50447577" border="0" align="left" data-title="640 (259) — 259 × 400"/><br /> PHARMAKON<br /> (NYC/Sacred Bones/Chondritic Sound/Bloodlust!)<br /> MUTWAWA <br /> (RVA/Ormolycka/Chaotic Noise Productions/Anti-Everything)<br /> and <br /> COTERIES<br /> <br /> "Margaret Chardiet was born and raised in New York City. She has been making power electronics/ death industrial music under the name Pharmakon for five years. As a founding member of the Red Light District collective in Far Rockaway, NY she has been a figurehead in the underground experimental scene since the age of seventeen. Several projects emerged from the Red Light home/ venue during the four years Chardiet lived there including Yellow Tears, and Halflings amongst others. She points out that the environment there amongst so many other experimental artists inspired her to keep pushing herself and making increasingly challenging work. She describes her drive to make noise music as something akin to an exorcism where she is able to express, her "deep-seated need/drive/urge/possession to reach other people and make them FEEL something [specifically] in uncomfortable/ confrontational ways." The project is also an opportunity to exorcise her own demons and examine her own wild thoughts by pushing them outside of her head.<br /> <br /> Four days before New York noise musician Margaret Chardiet was supposed to leave for her first European tour as Pharmakon, she had a medical emergency which resulted in a major surgery. Suddenly, instead of getting on a plane, she was bedridden for three weeks, missing an organ. "After seeing internal photographs taken during the surgery, I became hyperaware of the complex network of systems just beneath the skin, any of which were liable to fail or falter at any time," Chardiet said. "It all happened so fast and unexpectedly that my mind took a while to catch up to the reality of my recovery. I felt a widening divide between my physical and mental self. It was as though my body had betrayed me, acting as a separate entity from my consciousness. I thought of my corporeal body anthropomorphically, with a will or intent of its own, outside of my will's control, and seeking to sabotage. I began to explore the idea of the conscious mind as a stranger inside an autonomous vessel, and the tension that exists between these two versions of the self." Consumed by these ideas, and unable to leave her bed, Chardiet occupied herself by writing the lyrics and music that would become Bestial Burden, the second Pharmakon LP for Sacred Bones Records.<br /> <br /> The record is a harrowing collection of deeply personal industrial noise tracks, each one brimming with struggle and weighted with the intensity of Chardiet's internal conflict. Bestial Burden was recorded at Heaven Street Records in Brooklyn, N.Y. with Sean Ragon (Cult of Youth, Venerence), who also recorded 2013's critically acclaimed Abandon. The album led to extensive touring with Swans, Godflesh, and The Haxan Cloak, as well as a litany of glowing press from the likes of Pitchfork (8.0 review), The New Yorker (full-page print feature), The New York Times, The Fader, The Wire, and more. As an avid listener of noise, industrial, and power electronics, Ragon understood that the usual rules of recording sometimes need to be thrown out the window to capture the best possible performance. He allowed Chardiet to experiment with a mix of live recording and tracking, and some of the vocals were recorded live with a small group of people packed into the studio so she could feed off their energy. The result of those sessions is the bar-raising follow-up to Abandon, and an invitation to go even deeper into the sometimes terrifying, always fascinating labyrinth that is Margaret Chardiet's mind."<br /> <br /> <br /> <br /> <br /> 2015 2015<br /> Jihyung Yoon, Raven Cole, and Jerry Walters.<br /> 01.02.2015-01.24.2015<br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/20152015-postcard-sm_100_259.jpg" width="259" height="400" width_o="259" height_o="400" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/20152015-postcard-sm_100_259.jpg" data-mid="50447556" border="0" align="left" data-title="640 (259) — 259 × 400"/><br /> <br /> <br /> Stack Overflow: An Civil Engineer's History of Tupperware has been on everyone’s nightstand lately. It’s surely been on ours. It should have been the title of the shown work, but I was out voted and learned something I didn,t know about naming shows after titles of books being pretentious. I can,t agree with that, but I t doesn,t fit well on any customizable sticker we can afford from Uline. and you know what they say, if standardization is the key, then life is the burning fret board. So, by different alleys and avenues we have arrived at a similar conclusion: merry 2015 2015.<br /> <br /> <br /> <br /> DON'T GO IN THE HOT TUB<br /> An exhibition of works by Brianna Rigg, Allison Wiese, and Joe Yorty <br /> 11.07.2014 - 12.13.2014<br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT-postcard-copy_240.jpg" width="240" height="400" width_o="240" height_o="400" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT-postcard-copy_240.jpg" data-mid="49008051" border="0" align="left" data-title="640 (240) — 240 × 400"/><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_01-copy_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_01-copy_1200.jpg" data-mid="49007495" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_01-copy_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_02-copy_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_02-copy_1200.jpg" data-mid="49007500" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_02-copy_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_03-copy_670.jpg" width="640" height="853" width_o="900" height_o="1200" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_03-copy_900.jpg" data-mid="49007504" border="0" align="left" data-title="640 — 670 × 893"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_03-copy_900.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_04-copy_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_04-copy_1200.jpg" data-mid="49007507" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_04-copy_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_05-copy_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_05-copy_1200.jpg" data-mid="49007509" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_05-copy_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_06-copy_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_06-copy_1200.jpg" data-mid="49007514" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_06-copy_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_07-copy_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_07-copy_1200.jpg" data-mid="49007521" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_07-copy_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_08-copy_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_08-copy_1200.jpg" data-mid="49007532" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_08-copy_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_09-copy_670.jpg" width="640" height="853" width_o="900" height_o="1200" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_09-copy_900.jpg" data-mid="49007536" border="0" align="left" data-title="640 — 670 × 893"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_09-copy_900.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_10-copy_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_10-copy_1200.jpg" data-mid="49007539" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_10-copy_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_11-copy_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_11-copy_1200.jpg" data-mid="49007542" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_11-copy_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_12-copy_670.jpg" width="640" height="853" width_o="900" height_o="1200" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_12-copy_900.jpg" data-mid="49007546" border="0" align="left" data-title="640 — 670 × 893"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_12-copy_900.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_13-copy_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_13-copy_1200.jpg" data-mid="49007552" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_13-copy_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_14-copy_670.jpg" width="640" height="853" width_o="900" height_o="1200" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_14-copy_900.jpg" data-mid="49007557" border="0" align="left" data-title="640 — 670 × 893"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_14-copy_900.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_15-copy_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_15-copy_1200.jpg" data-mid="49007568" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_15-copy_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_16-copy_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_16-copy_1200.jpg" data-mid="49007573" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_16-copy_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_17-copy_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_17-copy_1200.jpg" data-mid="49007583" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_17-copy_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_18-copy_670.jpg" width="640" height="853" width_o="900" height_o="1200" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_18-copy_900.jpg" data-mid="49007586" border="0" align="left" data-title="640 — 670 × 893"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_18-copy_900.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_19-copy_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_19-copy_1200.jpg" data-mid="49007588" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_19-copy_1000.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_20-copy_670.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_20-copy_1200.jpg" data-mid="49007592" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/DGITHT_20-copy_1000.jpg" /><br /> Photographs by Joe Yorty and Brianna Rigg <br /> <br /> <br /> The disease of imagination is desire. The folds of the carpet still have a stench. The author described the impossible and the artist decided to live it. Standing in the corner has never felt so good. You can pick your nose and you can pick your friends, but you can’t pick your friend’s nose. Or maybe you did. You were dreaming of Q-tips and modernism. Earwigs eating up flowers. Reality forgot about you but you’re still here; I know you because I see that you did it. <br /> <br /> Don’t Go In the Hot Tub is a group show by Brianna Rigg, Allison Wiese and Joe Yorty; three artists who share in common the impulse to traverse cultural landscapes by investigating Americana through strategies of re-contextualization. Composed primarily of sculpture, or of two-dimensional artworks that flatten the object, Don’t Go In the Hot Tub explores how the patina of domesticity, travel, leisure, and labor, rubs up against the physical reality of the body. <br /> <br /> Brianna Rigg treats material exchange as a vital form of experience. By examining, disrupting, diverting, manipulating, and re-distributing the artifact, Rigg is reaching for a sense of place; for connections with unmet strangers; and for a glimpse of history as interpreted through the myths of today. The object, to Rigg, is not merely a signifier, but a vessel of energy. Rigg’s effort is to orchestrate relationships between objects to enliven their energy making it felt in the viewer. <br /> <br /> Allison Wiese’s sculpture creates poetry out of common things, repurposing or repositioning common materials to make new meaning. Her past work has employed firewood, fruit, highway signage and a whistled theme-song, but also uses shards of common language – literal texts like slogans, maxims or exhortations and symbolic language such as flags or football “fight” songs. Fascinated by the way in which we look at our surroundings through invisible cultural and political lenses Wiese attempts to subvert inert or oppressive objects, languages and signs by remixing them. <br /> <br /> Joe Yorty is largely drawn to all things related to the American domestic interior (and the front and back yard too). Through the use of both found and artist-made objects, Yorty’s sculptures, collages, and photography bring to attention the pathos of the well-weathered throw pillow while holding in high esteem the persistence of the rusting barbeque grill. It is no coincidence that he sources much of the material for his work from home improvement stores. In fact, he has made a conscious choice to explore the possibilities of critique through an active engagement with interior design theory and making work that quite literally functions to decorate the home.<br /> <br /> <br /> <br /> <br /> EXPANDED CITIES<br /> An interactive installation across three cities by artists Ela Boyd and Aaron Farley<br /> 10.03.2014 - 10.10.2014<br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/EC-postcard-sm_640.jpg" width="640" height="396" width_o="824" height_o="511" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/EC-postcard-sm_o.jpg" data-mid="47167653" border="0" align="left" data-title="640 — 640 × 396"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/EC-postcard-sm_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0958_640.JPG" width="640" height="480" width_o="3264" height_o="2448" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0958_o.JPG" data-mid="47167572" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0958_640_2x.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0963_640.JPG" width="640" height="480" width_o="3264" height_o="2448" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0963_o.JPG" data-mid="47167585" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0963_640_2x.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0966_640.JPG" width="640" height="480" width_o="3264" height_o="2448" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0966_o.JPG" data-mid="47167610" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0966_640_2x.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0969_640.JPG" width="640" height="480" width_o="3264" height_o="2448" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0969_o.JPG" data-mid="47167624" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0969_640_2x.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0978_640.JPG" width="640" height="480" width_o="3264" height_o="2448" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0978_o.JPG" data-mid="47167634" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0978_640_2x.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0995_640.JPG" width="640" height="480" width_o="3264" height_o="2448" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0995_o.JPG" data-mid="47167641" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_0995_640_2x.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_1002_640.JPG" width="640" height="480" width_o="3264" height_o="2448" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_1002_o.JPG" data-mid="47167652" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/IMG_1002_640_2x.JPG" /><br /> <br /> <br /> Expanded Cities is an interactive installation that occurs within three galleries in different cities simultaneously. SEDIMENT, Richmond, Virginia, Gazelli Art House, London, UK, and Mexicali Rose, Los Angeles, California, all host a light installation of atmospheric color fields through the month of October, 2014. Much like being inside a smoky color gradient photograph, the gallery visitors within one’s field of vision become silhouettes–bodies in space. Along the walls are what appear to be photographic prints that mirror both live and prerecorded occurrences in each cities’ gallery space. One is never sure if they are interacting with the present or the past and begins to realize their own image is beaming into other spaces–causing the same spatial and temporary confusion for gallery visitors in the two other cities. Expanded Cities involves variable programming throughout the exhibition as live performers, dancers, sound artists and performance artists choreograph gestures within the gallery that reverberate through-out the three cities.<br /> <br /> View the Expanded Cities website HERE.<br /> <br /> Aaron Farley is a photographer and video director based in Los Angeles. He is also the partner and curator of THIS Gallery in Los Angeles.<br /> <br /> Ela Boyd is a recent graduate of the UCSD Visual Art MFA program. She is originally from Hollywood, CA and received her BFA from California College of Arts in San Francisco. She currently lives and works in London, UK. In her work, she explores issues of the relationship between media, representation and visual perception with the interplay of light, space and time. Her methodology involves collapsing spatiotemporal modalities using photographic images, sculpture and new media installation works. Her work has been included in the Pacific Standard Time Exhibition, Phenomenal Light, Space and Surface at Museum of Contemporary Art San Diego, San Diego Museum of Art, Oceanside Museum of Art, LA Center for Digital Art, Lawrence Ascher Gallery, Barnsdall Los Angeles Municipal Art Gallery and Pharmaka Gallery. She recently attended an artist residency at Wassaic Project in New York, Est Nord Est in Quebec, and has been included International exhibitions in Canada and Portugal.<br /> <br /> <br /> <br /> SMOKE SIGNALS<br /> An exhibition of collaborative works by Paloma Barhaugh-Bordas and Genevieve Lowe<br /> 09.05.2014 - 09.27.2014<br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-pc_640.jpg" width="640" height="426" width_o="3551" height_o="2367" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-pc_o.jpg" data-mid="46911946" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-pc_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-01_640.JPG" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-01_o.JPG" data-mid="46911904" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-01_o.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-02_640.JPG" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-02_o.JPG" data-mid="46911906" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-02_o.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-04_640.JPG" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-04_o.JPG" data-mid="46911908" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-04_o.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-05-2_640.JPG" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-05-2_o.JPG" data-mid="46911911" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-05-2_o.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-05_640.JPG" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-05_o.JPG" data-mid="46911913" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-05_o.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-06_640.JPG" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-06_o.JPG" data-mid="46911915" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-06_o.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-07_640.JPG" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-07_o.JPG" data-mid="46911917" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-07_o.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-08_640.JPG" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-08_o.JPG" data-mid="46911919" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-08_o.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-09_640.JPG" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-09_o.JPG" data-mid="46911920" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-09_o.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-10_640.JPG" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-10_o.JPG" data-mid="46911922" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SMOKESIGNALS-10_o.JPG" /><br /> <br /> Recognizing the present day—at the turn of a fully technological era—as an ideal moment to investigate printmaking’s extra-ordinary associations with dissemination, information, and transformation, artists Paloma Barhaugh-Bordas and Genevieve Lowe began a dialogue of visual communication on paper. The exhibition at SEDIMENT entitled, Smoke Signals, displays the results of an extended long-distance volley of imagery, investigating modes of communication and successful translation. Utilizing printing techniques, beginning with a variety of initial material prompts, the artists enacted an exploration into historical (analog) and modern (digital) methods of printmaking’s evolving forms - echoing many of the advances in daily communication. The ongoing material discussion of artistic authorship was structured around five prompts posed various manners of expression relating and responding to printmaking methodologies.<br /> <br /> The resulting artworks, made using traditional as well as digital printmaking techniques, highlight the intra-dependency of art and technology. The artists discovered and embraced both communication lapses inherent to a separation of subjectivities, as well as surprising moments of clarity that suggested a presence of collective unconscious connection. These prompts and their results spring from an interpretation of smoke signals - one of the oldest forms of visual communication. <br /> <br /> Paloma Barhaugh-Bordas is a visual artist living and working in Richmond, VA. Originally from Denver, Colorado, she received a BA in liberal arts from Carleton College in Northfield, Minnesota. Before moving to Richmond in August of 2013 to teach at VCU, Paloma was a Dean’s Scholar at Rhode Island School of Design in Providence, RI where she earned an MFA in Printmaking. Her work adapts and appropriates the vernacular of the many regions she’s called home and traces the self-conscious search for cultural roots as a first-generation American.<br /> <br /> Genevieve Lowe currently lives and works in Brooklyn, New York. Genevieve was born and raised in the mountains of Idaho and received her BA from Colorado College in Colorado Springs, CO. In 2013, Genevieve received her MFA in Printmaking from the Rhode Island School of Design. Concerns around wilderness, the portrayal of the American landscape and environmental health weave throughout Genevieve’s work as she explores what combination of elements (geologic, living, and atmospheric) must converge in order to form and convey a sense of place reflective, in particular, of the American landscape.<br /> <br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-lescalleet-copy.jpg" width="259" height="400" width_o="259" height_o="400" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-lescalleet-copy_o.jpg" data-mid="46104571" border="0" align="left" data-title="640 (259) — 259 × 400"/><br /> RVA Noise + SEDIMENT Present:<br /> <br /> JASON LESCALLEET <br /> (Intransitive, RRRecords, Celebrate Psi Phenomenon, Chondritic Sound...)<br /> "Lescalleet's sound world occupies a space between noise, contemporary composition, and minimal electronics. Using decidedly primitive tactics and equipment (e.g. antiquated reel-to-reel recorders, damaged tape, etc.), his work focuses on extreme frequencies and microscopic audio detail".<br /> ttps://www.facebook.com/JasonLescalleet<br /> https://lescalleet.wordpress.com/<br /> http://pitchfork.com/features/the-out-door/8940-double-time/3/<br /> <br /> Lescalleet performs and screens his film, Trophy Tape– a curated collection of videos from various artists produced for his album.<br /> Trophy Tape Trailer:http://vimeo.com/91550867<br /> <br /> With local support from: <br /> PHOTOBLASTER<br /> <br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-genevajacuzzi-sm.jpg" width="259" height="400" width_o="259" height_o="400" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-genevajacuzzi-sm_o.jpg" data-mid="46104553" border="0" align="left" data-title="640 (259) — 259 × 400"/><br /> RVA Noise + SEDIMENT Present:<br /> <br /> GENEVA JACUZZI <br /> (Los Angeles CA)<br /> http://www.genevajacuzzi.com/<br /> "Geneva Jacuzzi (born Geneva Garvin) is an LA-based songwriter, musician and visual artist who is known for her unique style of synth driven bedroom pop recordings, theatrical stage personas and retro style video art. Her lyrics describe blood being thrown onto fire, clown-like machines in search of sadness and the raging monologues of future/past elemental beings. Her videos and live performances portray the story of a once abundant Self being shattered into a variety of other personas such as Dracula, Mime, Zygote, Rozbo, etc. all being played by Jacuzzi, and all cannibalizing-commodifying their rape revenge upon the idea of an original Self which is now lost if not mythical, somewhere in the Islands of the Jacuzzi".<br /> <br /> With Special Guests:<br /> KARACELL<br /> http://www.soundcloud.com/karacell<br /> IKAGURA<br /> http://www.soundcloud.com/Ikagura<br /> <br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-CONTAINER-copy.jpg" width="259" height="400" width_o="259" height_o="400" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-CONTAINER-copy_o.jpg" data-mid="46104586" border="0" align="left" data-title="640 (259) — 259 × 400"/><br /> RVA Noise & SEDIMENT present:<br /> <br /> CONTAINER <br /> (Providence RI/Spectrum Spools/Liberation Technologies)<br /> "Container is one of the most intense acts making techno right now, or “weird techno” as he may describe it....or maybe even “post-techno.” Container makes a chaotic wall of disgusting sonic layers all built over a techno beat, and it is a unique and intense listening experience".<br /> https://soundcloud.com/gentledefect<br /> <br /> TIMEGHOST <br /> (Providence RI/full length LP forthcoming on Load Records) <br /> "Symbol-laden angular electronic meditation, synchronized to flickering lights and altered by prosthetic sensors". <br /> https://soundcloud.com/nexykl <br /> <br /> With local support from:<br /> MUTWAWA<br /> FLESH CONTROL<br /> <br /> Video projections provided by CIVIC TV<br /> <br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-jerome-sm_55.jpg" width="271" height="400" width_o="271" height_o="400" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-jerome-sm_55_o.jpg" data-mid="45654636" border="0" align="left" data-title="640 (271) — 271 × 400"/><br /> RVA Noise + SEDIMENT Present:<br /> <br /> JEROME <br /> (Providence RI/Chapel Hill, CGI Records/ex Lazy Magnet)<br /> "Having fully devoted the better part of 2 decades tearing music apart from every conceivable angle and putting it back together as only he can, the wanderer also known as JEROME has constructed some of the tuffest house abstractions using only what will fit in the backseat of his '81 Rabbit. Not much is known about this lazy magnet but his sound is indeed magnetic, huge round bass lines ground the unrestrained dubby house experiments happening around it. The results produce a hypnotic and moving dancefloor experience."<br /> https://soundcloud.com/mr-lazymagnet<br /> <br /> <br /> CLAIRE <br /> (NYC/Atlanta/RVA Acoustic Division/ex Featureless Ghost)<br /> "Techno that sucks the air out of the room and charges the void with an inescapable atmosphere of enchantment and control. Distilled from smoke and mirrors and spun from the hypnotist's lyre, her machinery leaves its trace everywhere, as fragments of desire dissolve into the presence of total submission. An intoxicant of the most refined beauty..."<br /> https://soundcloud.com/claireelisetippins<br /> <br /> Visuals provided by Fantastic Lands<br /> http://fantasticlands.tumblr.com/<br /> https://www.youtube.com/user/FantasticLands/videos<br /> <br /> <br /> <br /> WOVEN Community<br /> 06.13.2014 - 06.28.2014<br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN_card-10in_640.jpg" width="640" height="426" width_o="3000" height_o="2000" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN_card-10in_o.jpg" data-mid="44075460" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN_card-10in_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN-install1_44_640.JPG" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN-install1_44_o.JPG" data-mid="44075630" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN-install1_44_o.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN-install2_640.JPG" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN-install2_o.JPG" data-mid="44075636" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN-install2_o.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN-install3_640.JPG" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN-install3_o.JPG" data-mid="44075642" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN-install3_o.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN-install4_640.JPG" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN-install4_o.JPG" data-mid="44075645" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN-install4_o.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN-install5_640.JPG" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN-install5_o.JPG" data-mid="44075663" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/WOVEN-install5_640_2x.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/Anchor-0902-copy_640.jpg" width="640" height="424" width_o="800" height_o="531" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Anchor-0902-copy_o.jpg" data-mid="44075665" border="0" align="left" data-title="640 — 640 × 424"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/Anchor-0902-copy_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/BlackIris-7401-copy_640.jpg" width="640" height="424" width_o="800" height_o="531" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/BlackIris-7401-copy_o.jpg" data-mid="44075666" border="0" align="left" data-title="640 — 640 × 424"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/BlackIris-7401-copy_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/LibraryWalk-7769-copy_640.jpg" width="640" height="425" width_o="1200" height_o="797" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/LibraryWalk-7769-copy_o.jpg" data-mid="44075672" border="0" align="left" data-title="640 — 640 × 425"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/LibraryWalk-7769-copy_o.jpg" /><br /> <br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-pedestriandeposit-web_53.jpg" width="270" height="400" width_o="270" height_o="400" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-pedestriandeposit-web_53_o.jpg" data-mid="45654651" border="0" align="left" data-title="640 (270) — 270 × 400"/><br /> RVA Noice + SEDIMENT Present:<br /> PEDESTRIAN DEPOSIT (LA)<br /> "The music of Jonathan Borges and Shannon Kennedy of Pedestrian Deposit could best be described as highly composed, focused and dynamic, experimental music that draws on their widely varying music talents. From Borges’s interest in such areas as electronics, tape loops, sampling, field recording, and feedback, to Shannon’s use of classical instruments, contact mics and manipulated metal objects, the duo combine elements of musique concrete, ambient, drone, classical and harsh noise." <br /> http://pedestriandeposit.bandcamp.com/<br /> <br /> Local Support from<br /> SCANT<br /> CREEPING<br /> <br /> With Special Guests<br /> La La Jacuzzi (Boston)<br /> La La Jacuzzi is from Boston and residents at the Smokey Bear Cave. Some of the members are from LSDV and Fume Hood. "We aim to cleanse the pores, relax the rumpus and soothe the soul with a combination of warm massaging jets, and a self cleaning filtration system."<br /> <br /> <br /> <br /> POSSIBLE FUTURES<br /> 05.02.2014 - 05.17.2014<br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/PossibleFutures-print1_640.jpg" width="640" height="480" width_o="3000" height_o="2250" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/PossibleFutures-print1_o.jpg" data-mid="43064775" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/PossibleFutures-print1_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8295-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8295-copy_o.jpg" data-mid="43064821" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8295-copy_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8273-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8273-copy_o.jpg" data-mid="43064828" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8273-copy_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8333-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8333-copy_o.jpg" data-mid="43064817" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8333-copy_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8323-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8323-copy_o.jpg" data-mid="43064818" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8323-copy_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8265-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8265-copy_o.jpg" data-mid="43064830" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8265-copy_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8259-copy_640.jpg" width="640" height="960" width_o="800" height_o="1200" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8259-copy_o.jpg" data-mid="43064834" border="0" align="left" data-title="640 — 640 × 960"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8259-copy_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8254-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8254-copy_o.jpg" data-mid="43064839" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8254-copy_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8251-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8251-copy_o.jpg" data-mid="43064844" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8251-copy_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8239-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8239-copy_o.jpg" data-mid="43064848" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8239-copy_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8232-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8232-copy_o.jpg" data-mid="43064853" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8232-copy_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8227-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8227-copy_o.jpg" data-mid="43064856" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8227-copy_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8212_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8212_o.jpg" data-mid="43064857" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8212_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8208-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8208-copy_o.jpg" data-mid="43064860" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8208-copy_o.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8206-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8206-copy_o.jpg" data-mid="43064865" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/Possible-Futures-8206-copy_o.jpg" /><br /> <br /> <br /> <br /> THE SMILE FACE MUSEUM<br /> 03.20.2014 - 05.17.2014<br /> <br /> <br /> <br /> <br /> The Smile Face Museum was founded by Mark Sachs in 1992 in his Silver Spring, Maryland basement. It operated for 2 years in that location, with over 400 hundred items on display.<br /> <br /> In 2014, The Smile Face Museum will be installed in Brooklyn, New York in the basement of a private garden apartment. Its collection now encompasses more than 1000 objects, and it will be on display March 30 - April 27. The official website was developed to catalog The Museum and make its collection available for viewing World Wide. <br /> <br /> The spring 2014 presentation of the Smile Face Museum is organized by Adrienne Garbini, and hosted by 228 1/2. It will feature the founding collection, and the collections of Rita Mageary and Emily Stebbins. The Museum will also present exhibitions of contemporary artwork. <br /> <br /> The Museum will host several events, including a tour, a panel discussion, and a film screening. For more information, check the Visit page. Please note our limited hours. <br /> <br /> During the run of The Museum, there will be a satellite exhibition of duplicates from the collection and special editions from our shop at the new artist-run space SEDIMENT in Richmond, Virginia.<br /> <br /> <br /> <br /> SENSATIONS<br /> 04.04.2014 - 04.26.2014<br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-sensations-cardre_640.jpg" width="640" height="432" width_o="3600" height_o="2432" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-sensations-cardre_o.jpg" data-mid="42051048" border="0" align="left" data-title="640 — 640 × 432"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-sensations-cardre_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/P4056001_640.JPG" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/P4056001_o.JPG" data-mid="42051002" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/P4056001_640_2x.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/P4056002_640.JPG" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/P4056002_o.JPG" data-mid="42050964" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/P4056002_640_2x.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/P4056000_640.JPG" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/P4056000_o.JPG" data-mid="42051021" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/P4056000_640_2x.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/P4056038_640.JPG" width="640" height="479" width_o="3649" height_o="2735" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/P4056038_o.JPG" data-mid="42051322" border="0" align="left" data-title="640 — 640 × 479"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/P4056038_640_2x.JPG" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/P4056029_640.JPG" width="640" height="480" width_o="3975" height_o="2982" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/P4056029_o.JPG" data-mid="42051593" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/P4056029_640_2x.JPG" /><br /> <br /> SEDIMENT is pleased to present Sensations, an exhibition of over eighty drawings by Bryan Lewis Saunders and Nicole Bailey. The exhibition includes forty drawings produced between Saunders and Bailey that explore shared experiences of pleasure and intimacy. These drawings, created simultaneous to physical experience, explore both artists' perception of sensation. Viewed in totality, the project speaks to similarities and differences in the experience of touch, pleasure and intimacy between persons of different genders, ages, and life experiences.<br /> <br /> Along with the collaborative works are forty drawings of the self-portrait series Bryan Lewis Saunders began almost twenty years ago. Since March 30th, 1995, he has created at least one new self portrait every day, an immense archive that to date includes over 8,000 works. Saunders is renowned internationally for his drawings, in particular the series Self-Portraits Under the Influence, as well as his spoken-word performances he calls "stand-up tragedies". He has been interviewed by the Huffington Post, The Guardian, Wired, and DisInfo among others, and exhibited internationally at Catalyst Projects, D.C., MIKA Gallery,Tel Aviv, and Mediamtic, Amsterdam.<br /> <br /> bryanlewissaunders.org<br /> <br /> <br /> From the Artists:<br /> "I chose to exhibit the Sensations drawings for the similarities in perceptions of good sensations between people of different sexes and genders. These drawings show a consenting, loving relationship outside of the porn and television industry, 'Family Values' politicians, the Church, evolutionary psychology scenarios, and celebrity paparazzi photos.<br /> <br /> As I wasn't responsible for the concept of illustrating sensations, I used many of my drawings as opportunities to "feel out" myself in space to challenge my body image issues.<br /> <br /> The similarities in the sensations between someone who draws himself every day, with clear perception of himself, and someone younger, who avoids mirrors and has had fewer life experiences, is the pleasant, unexpected result." <br /> - Nicole Bailey<br /> <br /> "On March 30th 1995 I started drawing at least one self-portrait everyday for the rest of my life. One of the discoveries that emerged from this act was the awareness that every single physical sensation that occurs spontaneously inside my body is to some degree painful. With the exception of ticklish itches on the surface of my skin, I have never had the experience of one of my bones, muscles, joints or internal organs just randomly start emitting feelings of pleasure. The body doesn't work like that. As a solitary creature my body only creates sensations when it wants to let me know something is wrong. When all is right I feel nothing. That along with the fact that every pain asks me to make sense of it, or take meaning from it, makes pain seem dominant and controlling and yet totally absurd. Positive pleasurable feelings must always take effort and need to be prompted or provoked. <br /> <br /> As an intimate social creature things are different and one can easily be overwhelmed by pleasurable sensations inside the body when interacting with a partner. Over a period of several weeks Nicole helped me document this awareness by drawing these sensations 'in the moment' (while we were experiencing them) often with beautiful, exciting and playful results." <br /> - Bryan Lewis Saunders <br /> <br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-johnwiese-sm_21.jpg" width="270" height="400" width_o="270" height_o="400" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-johnwiese-sm_21_o.jpg" data-mid="45654693" border="0" align="left" data-title="640 (270) — 270 × 400"/><br /> RVA Noise + SEDIMENT present:<br /> JOHN WIESE<br /> <br /> John Wiese is an artist and composer living in Los Angeles, California. He works primarily in recorded and performed sound with a focus on installation and multi-channel diffusions, as well as scoring for large ensembles. He has toured extensively throughout the world, covering the US, UK, Europe, Scandinavia, Japan, Australia, and New Zealand. He is also a founding member of the concrète grindcore band Sissy Spacek.<br /> www.john-wiese.com<br /> <br /> Local support from:<br /> <br /> Broadcastatic is the work of Tommy Birchett a long standing figure in the local experimental music community. Broadcastatic, originally a local richmond collaborative radio show, is an audio/video project focused on active manipulation of input/output routing using a combination of improvisation, mechanical manipulation, feedback loops, and randomization.<br /> <br /> I.G.M. is the work of Ian McColm, a multi-instrumentalist and composer based out of Richmond, Virginia. A drummer since the age of 8, he was admitted to Oberlin Conservatory of Music, where he earned a Bachelor’s degree in Jazz Studies under the tutelage of master drummer Billy Hart. McColm has performed nationally and internationally in a variety of ensembles including the drone/ambient duo, Nagual, as well as under his solo moniker, I.G.M.<br /> www.igmnoise.com<br /> <br /> <br /> <br /> YOU GET WHAT YOU GET<br /> 03.07.2014 - 03.28.2014<br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/YOUGETWHATYOURGET-card-copy.jpg" width="400" height="270" width_o="400" height_o="270" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/YOUGETWHATYOURGET-card-copy_o.jpg" data-mid="46104852" border="0" align="left" data-title="640 (400) — 400 × 270"/><img src="http://payload264.cargocollective.com/1/14/462724/7598723/You-Get-What-You-Get-8_640.jpg" width="640" height="457" width_o="3000" height_o="2143" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/You-Get-What-You-Get-8_o.jpg" data-mid="41219279" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/You-Get-What-You-Get-8_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/You-Get-What-You-Get-7_640.jpg" width="640" height="457" width_o="3000" height_o="2143" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/You-Get-What-You-Get-7_o.jpg" data-mid="41219226" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/You-Get-What-You-Get-7_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/You-Get-What-You-Get-3_640.jpg" width="640" height="457" width_o="3000" height_o="2143" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/You-Get-What-You-Get-3_o.jpg" data-mid="41219235" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/You-Get-What-You-Get-3_640_2x.jpg" /><br /> You Get What You Get is a survey of recent works by San Francisco-based artist Whitney Lynn. The exhibition incorporates an opening night performance as well as a selection of works utilizing a variety of materials and mediums from sculpture, photography, video and works on paper.<br /> <br /> Mining American history, popular culture, and art historical tropes, the works on display at SEDIMENT include sculptural traps, an archive of hand-painted signage, and spatial subjects that share titles while expanding their specific meanings. Lynn’s work is both dark and humorous; diagramming social, political and historical relationships, exploring themes of disjunction within systems of value, context and reenactment, and calling to question places where boundaries are in flux.<br /> <br /> A return to Richmond, Lynn graduated from VCU’s department of Sculpture + Extended Media before receiving her MFA in New Genres from the San Francisco Art Institute. She has an upcoming exhibition at the Torrance Art Museum and has previously shown work at the San Francisco Museum of Modern Art, the Wattis Institute for Contemporary Arts, Steven Wolf Fine Arts, Catharine Clark Gallery, Patricia Sweetow Gallery, and the Corcoran Gallery of Art. She currently lives and works in San Francisco and is Visiting Faculty at SFAI in New Genres and the History and Theory of Contemporary Art.<br /> <br /> http://www.whitneylynn.net/<br /> <br /> <br /> <br /> MIND THE GAPS<br /> 02.07.2014 - 02.28.2014<br /> <br /> <br /> <img src="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-mindthegaps-card-sedinfo_640.jpg" width="640" height="432" width_o="3600" height_o="2432" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-mindthegaps-card-sedinfo_o.jpg" data-mid="40929494" border="0" align="left" data-title="640 — 640 × 432"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/SEDIMENT-mindthegaps-card-sedinfo_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs01-copy_640.jpg" width="640" height="480" width_o="3888" height_o="2916" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs01-copy_o.jpg" data-mid="40928025" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs01-copy_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs11_640.jpg" width="640" height="479" width_o="3651" height_o="2738" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs11_o.jpg" data-mid="40928051" border="0" align="left" data-title="640 — 640 × 479"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs11_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs02_640.jpg" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs02_o.jpg" data-mid="40928743" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs02_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs12_640.jpg" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs12_o.jpg" data-mid="40928076" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs12_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs10_640.jpg" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs10_o.jpg" data-mid="40928138" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs10_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs09_640.jpg" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs09_o.jpg" data-mid="40928381" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs09_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs08_640.jpg" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs08_o.jpg" data-mid="40928430" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs08_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs07_640.jpg" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs07_o.jpg" data-mid="40928483" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs07_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs06_640.jpg" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs06_o.jpg" data-mid="40928592" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs06_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs05_640.jpg" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs05_o.jpg" data-mid="40928653" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs05_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs04_640.jpg" width="640" height="479" width_o="3644" height_o="2732" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs04_o.jpg" data-mid="40928691" border="0" align="left" data-title="640 — 640 × 479"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs04_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs13_640.jpg" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs13_o.jpg" data-mid="40928107" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs13_640_2x.jpg" /><img src="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs03_640.jpg" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs03_o.jpg" data-mid="40928782" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload264.cargocollective.com/1/14/462724/7598723/MINDTHEGAPS-imgs03_640_2x.jpg" /><br /> Before embarking on a journey travelers are prompted by a message to “mind the gap”. That is, to be aware that there is a potentially dangerous area between our step from solid ground to that of a moving system of parts we rely upon to transport us to another place. This gap is a real space wherein a stiletto may slip, pocket change may drop, a cell phone, grocery list, or love letter may disappear. It is just one distance we must mind in the world of objects. What other spaces do we cross both physically and psychologically, in trust they do not widen in mid-step and leave us suspended, or worse–to fall?<br /> <br /> Compressing, widening, and reorienting the stuff of the world is what artists can do. Shifting spaces between the real and simulated, the poetic and overly definitive, the humorous and desirous, between missing the point and embracing the beauty in not-knowing. Mel Bochner wrote, “ In a world which is probably not more dehumanized than ever before, awareness of distance is a principal matter in functioning. Between objects are distances, not separations.” While discrete and autonomous objects denote separation, Bochner states that distances imply detachment which requires interdependency and a contextual relationship.<br /> <br /> Our inaugural exhibition at SEDIMENT features five artists currently living in Richmond, Virginia. The work of Jon Duff, Paloma Barhaugh-Bordas, Courtney McClellan, David Kenedy, and Ryan Crowley span a variety of mediums and processes. The interludes between their distinctive works become a net of connections that allow for a multiplicity of perspectives on each piece and the exhibition as a whole. We are aware to mind the gaps.<br /> <br /> Artist Bios:<br /> <br /> Jon Duff was born in Oconomowoc WI and received his BFA from the University of Minnesota-Twin Cities. He exhibited his sculptures and paintings throughout Minneapolis, including shows at the Minneapolis Institute of Art, the Minnesota Center for Photography, and the 1419 gallery. In 2012, Duff received his MFA from the Mount Royal School at the Maryland Institute College of Art. While in Baltimore, his work was shown at City Arts, School 33, the Delaware Center for Contemporary Art, and the Baltimore Museum of Art as a finalist for the prestigious Walter and Janet Sondheim Award. Duff is a 2011 alum of the Skowhegan School of Painting and Sculpture, and attended the Triangle Artists’ Workshop in 2013. His work has been published in New American Paintings, and he is currently a part of the juried group show, Live Amateurs, at MINT gallery in Atlanta.<br /> <br /> Paloma Barhaugh-Bordas is a visual artist living and working in Richmond, VA. Originally from Denver, Colorado, she received a BA in liberal arts from Carleton College in Northfield, Minnesota. Her interest in printmaking led to an internship at Kala Art Institute in Berkeley, California where she became an Artist in Residence and instructor. Before moving to Richmond in August of 2013 to teach at VCU, Paloma was a Dean’s Scholar at Rhode Island School of Design in Providence, RI where she earned an MFA in Printmaking. Her work adapts and appropriates the vernacular of the many regions she’s called home and traces the self-conscious search for cultural roots as a first-generation American.<br /> <br /> Courtney McClellan is an artist and writer from Greensboro, N.C. She received her BA from the University of North Carolina at Chapel Hill in 2008, and her MFA from Tufts University and the School of the Museum of Fine Arts, Boston, in 2013. She has shown nationally and internationally. Currently, she is the Fountainhead Fellow in the Sculpture and Extended Media Department at Virginia Commonwealth University. Much of her practice begins and ends as text. Enacting what critic Claire Bishop calls “uncreative writing,” her intermedia studies result in hybrids: performing objects, objectified text or performative writing. Her work lives in gray areas, tension and a disbelief in absolutes, searching for a more  complex relationship between work, artist, and viewer.<br /> <br /> David Kenedy grew up in Virginia and was raised by parents in the Unification Church, brought to America in the 70’s by Rev. Sun Myung Moon. Photography is his primary medium of choice for visual communication; fluctuating between both fictional and non-fictional subject matter as a means of reporting his own individual human experience. His early introduction to photography came through his first point-and-shoot film camera given to him by his grandmother when he was very young. David has no formal training in visual arts, but rather has spent the last 10 years self-educating. Along with fine art photography, Kenedy works within a range of music and lifestyle editorial and alternative photojournalism. He is based in Richmond, Virginia.<br /> <br /> Ryan Crowley was born in 1983 in Boston Massachusetts. He received is B.F.A from Massachusetts College of Art and Design and his M.F.A from Virginia Commonwealth University. He currently lives and works in Richmond Virginia.<br /> THE FELT BOOK The Institute for New Feeling 07.03.2015 The Felt Book from the Institute for New Feeling. The Felt Book is a new collaborative publication... http://sedimentarts.org/UPCOMING http://sedimentarts.org/following/sedimentarts.org/UPCOMING Wed, 19 Mar 2014 00:35:39 +0000 SedimentArts 7399092 OCTOBER 22nd, 6-9pm<br /> <br /> <img src="http://payload254.cargocollective.com/1/14/462724/7399092/7_gram_FACEBOOK_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload254.cargocollective.com/1/14/462724/7399092/7_gram_FACEBOOK_800.jpg" data-mid="56725597" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload254.cargocollective.com/1/14/462724/7399092/7_gram_FACEBOOK_800.jpg" /><br /> <br /> Shock and Awe-- Performance by Ethan Rafal -- San Francisco Artist and Book Maker <br /> <br /> A twelve-year, autobiographical project examining the relationship between protracted war and homeland decay, Shock and Awe is a meticulously crafted image, text, and found object journal that blurs the line between author and subject, and personal and authoritative histories. Completed over countless years traveling the United States, the project pulls from the traditions of documentary photography and writing set on the American road.<br /> <br /> The Shock and Awe Book Tour returns the journal to the people and places depicted, bringing author, subject, and viewer into an exploration of the total meaning of the work. Due to the interdisciplinary nature of the project, the performance of Shock and Awe is equal parts story-telling, show-and-tell, and group discussion, presented with ample cast-iron pie, whiskey.<br /> <br /> Borrowing from American folk traditions, Shock and Awe is a performance of first-person authorship. Balancing sincerity, humor, the project unfolds in real-time, foregrounding the fraught transformation of memory into document, providing a vehicle to revisit this shared period since 2001 - simultaneously fading from memory, yet not cleanly historicized - and radicalize agency over emerging, dominant Histories.<br /> <br /> More info about the project: <br /> http://ethanrafal.com/<br /> <br /> Event page here:<br /> https://www.facebook.com/events/1710514645859682/<br /> <br /> About Ethan Rafal:<br /> Ethan Rafal is an artist and photographer based in San Francisco. His work deals with the individual and collective experience of violence, and the ways in which subsequent representations of violence inform personal and national mythologies. Photography is an essential ingredient in his practice, due to the unique relationship between image and violence, but his work employs performance, installation, video, new-media, and social-practice methodologies. He teaches, mentors, helps run an art space, and collaborates with Art For a Democratic Society in the Bay Area, where he has been based since 2007. He attended Reed College.<br /> <br /> <br /> <br /> <br /> NOVEMBER 6th - DECEMBER 4th<br /> <br /> <img src="http://payload254.cargocollective.com/1/14/462724/7399092/Pluto-Graphic-Ideas.02_Page_02sm_670.jpeg" width="640" height="414" width_o="850" height_o="550" src_o="http://payload254.cargocollective.com/1/14/462724/7399092/Pluto-Graphic-Ideas.02_Page_02sm_850.jpeg" data-mid="56639921" border="0" align="left" data-title="640 — 670 × 433"data-hi-res="http://payload254.cargocollective.com/1/14/462724/7399092/Pluto-Graphic-Ideas.02_Page_02sm_850.jpeg" /><br /> <br /> To: Pluto<br /> <br /> In July of 2015, the NASA satellite New Horizons imaged Pluto in an unprecedentedly close flyby. Mankind’s knowledge of what the Pluto system is will expand exponentially and yield exciting discoveries over the next days, months, and years. The fastest spacecraft ever launched, New Horizons has traveled more than nine years and three billion miles to reach its primary target. An entity of science fiction is being ushered into the realm of science, the mysterious is being made known, and another frontier is being surveyed. Will this be considered a "landmark" moment in history? What does this matter to us considering our current state of social and environmental affairs? Economic, racial, and personal inequality and injustice run rampant, wars continue to be waged, and this monumental achievement is steamrolled by normalcy.<br /> <br /> Sediment Arts’ invitational art exhibition To: Pluto is organized under this theme of historic exploration, expanded understandings, and loss of innocence. The artists in the exhibition work through various mediums and across platforms, with diverse perspectives on environmental, social, and technological issues relevant to society today. Their work speaks to relationships with Pluto or other planetary bodies including our own, to the human longing that comes with distant and detached explorations of intangible objects, as well as the role of speculation and scientific discovery in defining what is within or without our physical world and imagination.<br /> <br /> To: Pluto open November 6th, 2015. <br /> *Various events and film screenings are being planned throughout the exhibition.<br /> To: Pluto closes December 4th, 2015.<br /> Sediment is open Thursday through Saturday from 1-7pm or by appointment.<br /> <br /> <br /> <br /> To: Pluto - Call for Sound Submissions<br /> <br /> In conjunction with the To: Pluto exhibition, Sediment is excited to issue a call for sound works and music that respond to the subject of the exhibition and the themes surrounding it. To address the time duration of the New Horizons’ flight from Earth to Pluto of 9 years, 5 months and 25 days, all submissions must be 9 minutes, 5 seconds, and 25 milliseconds long (or very close).<br /> <br /> Please upload your .wav files to Google Drive and send a downloadable link to SedimentArts@gmail.com with the subject line: Pluto Sound Piece.<br /> <br /> Submissions will be curated into an online collection. Six pieces will be selected for an official low-run cassette release by Sediment.<br /> <br /> Submissions are open until October 31, 2015 by 11:59pm. OCTOBER 22nd, 6-9pm Shock and Awe-- Performance by Ethan Rafal -- San Francisco Artist and Book Maker A twelve-year, autobiographical project examining the... http://sedimentarts.org/CURRENT http://sedimentarts.org/following/sedimentarts.org/CURRENT Fri, 07 Mar 2014 00:42:47 +0000 SedimentArts 6951824 The previous exhibition, The All-Nighters, has closed. Please view the UPCOMING page for information about the November exhibition, To: Pluto. The previous exhibition, The All-Nighters, has closed. Please view the UPCOMING page for information about the November exhibition, To: Pluto. http://sedimentarts.org/STORE http://sedimentarts.org/following/sedimentarts.org/STORE Sun, 16 Feb 2014 22:50:10 +0000 SedimentArts 6951932 The storefront at SEDIMENT continuously grows to feature art, music, and design culled from local, regional, and international artists. We feature hard to find, unique items including prints, clothing, jewelry, artist multiples and more. SEDIMENT's storefront also catalogs and sells the distros of various local and touring musicians and artists who exhibit or perform here.<br /> <br /> *If you would like your work to have a presence at SEDIMENT's storefront, please see the CALL FOR SUBMISSIONS page for more information. <br /> <br /> <br /> ITEM(S) CURRENTLY AVAILABLE FOR ONLINE PURCHASE VIA PAYPAL:<br /> <br /> The Soul & The Pawnshop<br /> Tri-fold booklet with images of the work of the 72 artists who submitted work to the open-call exhibition at SEDIMENT from March 6th-March 14th, 2015. Organized by Kim and Claire Zitzow.<br /> Book design and layout by Claire Zitzow<br /> Photographs by Kim Zitzow<br /> 76 pages, black + white, trifold, staple-bound.<br /> Edition of 100<br /> All proceeds go to SEDIMENT's future programming.<br /> $5<br /> <br /> <br /> <br /> <br /> <img alt="" border="0" src="https://www.paypalobjects.com/en_US/i/scr/pixel.gif" width="1" height="1"><br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/SEDIMENT-SquidDreams1_670.jpg" width="640" height="480" width_o="800" height_o="600" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/SEDIMENT-SquidDreams1_800.jpg" data-mid="50605822" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/SEDIMENT-SquidDreams1_800.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6951932/SEDIMENT-SquidDreams4_670.jpg" width="640" height="480" width_o="800" height_o="600" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/SEDIMENT-SquidDreams4_800.jpg" data-mid="50605820" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/SEDIMENT-SquidDreams4_800.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6951932/SEDIMENT-SquidDreams3_670.jpg" width="640" height="480" width_o="800" height_o="600" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/SEDIMENT-SquidDreams3_800.jpg" data-mid="50605821" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/SEDIMENT-SquidDreams3_800.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6951932/SEDIMENT-SquidDreams2_670.jpg" width="640" height="480" width_o="800" height_o="600" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/SEDIMENT-SquidDreams2_800.jpg" data-mid="50605824" border="0" align="left" data-title="640 — 670 × 502"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/SEDIMENT-SquidDreams2_800.jpg" /><br /> Squid Dreams <br /> By Bonnie Staley<br /> Design by Claire Zitzow<br /> Printed on the occasion of the exhibition, Pin Outs, at Sediment. Feb. 2015.<br /> 52 pages, color, post-bound<br /> $22 +shipping<br /> <br /> <br /> <br /> <br /> <img alt="" border="0" src="https://www.paypalobjects.com/en_US/i/scr/pixel.gif" width="1" height="1"><br /> <br /> <br /> <br /> <br /> STORE INVENTORY<br /> Visit us at 208 East Grace Street, Richmond VA 23241 or contact sedimentarts@gmail.com for purchases through PayPal.<br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0032_2_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0032_2_800.jpg" data-mid="48595728" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0032_2_800.jpg" /><br /> Understanding Nicotine<br /> by Dr. Ispib Osnotkitchi<br /> Illustrated by Brian Blomerth<br /> Published by Pupsintrouble Press<br /> 2014<br /> $7<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0033_2_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0033_2_800.jpg" data-mid="48595730" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0033_2_800.jpg" /><br /> The Small Dog Other<br /> by Brian Blomerth<br /> Pupsintrouble Press<br /> 2013<br /> $12<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0035_2_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0035_2_800.jpg" data-mid="48595732" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0035_2_800.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0036_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0036_800.jpg" data-mid="48595734" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0036_800.jpg" /><br /> Screen print<br /> by Joe Leggz<br /> $5<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0037_2_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0037_2_800.jpg" data-mid="48595735" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0037_2_800.jpg" /><br /> The Smile Face Museum Poster<br /> What Nothing Press<br /> Edition of 100<br /> 2014<br /> $20<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0050_2_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0050_2_800.jpg" data-mid="48595765" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0050_2_800.jpg" /><br /> The Smile Face Museum Buttons<br /> What Nothing Press<br /> 2014<br /> $2 each<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0051_2_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0051_2_800.jpg" data-mid="48595771" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0051_2_800.jpg" /><br /> The Smile Face Museum Postcards<br /> What Nothing Press<br /> 2014<br /> $2 each<br /> <br /> Topps Stupid Smiles Stickers<br /> 1989<br /> $4 each<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0052_2_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0052_2_800.jpg" data-mid="48595772" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0052_2_800.jpg" /><br /> The Smile Face Museum Shells and Stones<br /> What Nothing Press<br /> 2014<br /> $2 each<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0040_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0040_800.jpg" data-mid="48595744" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0040_800.jpg" /><br /> The Object With Haim Steinbach<br /> by Adrienne Garbini<br /> What Nothing Press<br /> Brooklyn, NY, 2011<br /> Written in March and August of 2011 in San Diego, CA.<br /> Edition of 200<br /> $20<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0038_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0038_800.jpg" data-mid="48595738" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0038_800.jpg" /><br /> Booklets <br /> by Paloma Barhaugh-Bordas<br /> $2<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0041_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0041_800.jpg" data-mid="48595749" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0041_800.jpg" /><br /> Screen print <br /> by Unguent<br /> 2014<br /> $5<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0042_2_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0042_2_800.jpg" data-mid="48595751" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0042_2_800.jpg" /><br /> Screen print fold-out<br /> by Unguent<br /> 2014<br /> $5<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0043_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0043_800.jpg" data-mid="48595752" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0043_800.jpg" /><br /> Mud Pie<br /> Screen print on archival paper<br /> Edition of 10<br /> $125<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0045_2_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0045_2_800.jpg" data-mid="48595755" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0045_2_800.jpg" /><br /> Sketchbooks<br /> Produced by SEDIMENT (all proceeds to Sediment’s programming)<br /> Hand-bound acid-free paper with cotton cover<br /> $3 small<br /> $5 large<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0047_2_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0047_2_800.jpg" data-mid="48595756" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0047_2_800.jpg" /><br /> You Are Here<br /> by Ester Partegås<br /> Printed by Gråfíques Trema<br /> 1st Edition, December 2013<br /> 300 copies<br /> Published by Cru on the occasion of the exhibition Ester Partegås - You Are Here at the Anderson Gallery, VCU, Richmond VA, January 17 - March 9, 2014<br /> $15<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0048_2_670.jpg" width="640" height="640" width_o="800" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0048_2_800.jpg" data-mid="48595760" border="0" align="left" data-title="640 — 670 × 670"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/IMG_0048_2_800.jpg" /><br /> Blank Stare v.2 and v.3<br /> by Jeff Hartford<br /> Limited edition zine<br /> $5 each<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/P3135658_640.JPG" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/P3135658_o.JPG" data-mid="40942126" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/P3135658_640_2x.JPG" /><br /> Source Composites<br /> by John Canady<br /> Original Collages made 2011-2012<br /> Published by the artist 2014<br /> Edition of 100<br /> $10<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/P3135669_640.JPG" width="640" height="479" width_o="3647" height_o="2735" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/P3135669_o.JPG" data-mid="40942075" border="0" align="left" data-title="640 — 640 × 479"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/P3135669_640_2x.JPG" /><br /> Autoportraits Sous Drogues (Self-Portraits Under the Influence)<br /> by Bryan Lewis Saunders<br /> Page Éditions, Lyon, France, 2013<br /> Hand-signed copies<br /> Price upon request<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/P2155358_640.jpg" width="640" height="480" width_o="1280" height_o="960" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/P2155358_o.jpg" data-mid="39557713" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/P2155358_o.jpg" /><br /> Jackrabbits and the Crow : On Dwelling and Passing<br /> by Claire Zitzow<br /> San Diego, CA, 2011<br /> 100 copies<br /> $10<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/P3275886_640.JPG" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/P3275886_o.JPG" data-mid="40943413" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/P3275886_640_2x.JPG" /><br /> The Book of Worzil<br /> by Brian Blomerth<br /> Pupsintrouble Press, 2013<br /> $5<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/P3275890_640.JPG" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/P3275890_o.JPG" data-mid="40943329" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/P3275890_640_2x.JPG" /><br /> Hypermaze<br /> by Brian Blomerth<br /> Pupsintrouble Press, 2013<br /> $8<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/P2155348_640.jpg" width="640" height="480" width_o="1280" height_o="960" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/P2155348_o.jpg" data-mid="39557743" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/P2155348_o.jpg" /><br /> Future Histories<br /> by Alex Decarli<br /> What Nothing Press<br /> Brooklyn, NY, 2009<br /> Edition of 125<br /> $10<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/P3135654_640.JPG" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/P3135654_o.JPG" data-mid="40942148" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/P3135654_640_2x.JPG" /><br /> Bleckness Descends<br /> by Stephanie Banham<br /> 2013<br /> Editions of 79<br /> $5<br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951932/P3135662_640.JPG" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload232.cargocollective.com/1/14/462724/6951932/P3135662_o.JPG" data-mid="40942102" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951932/P3135662_640_2x.JPG" /><br /> CURIOUS<br /> by Virginia Commonwealth University<br /> Dept. of Sculpture + Extended Media<br /> Yearly Publication by MFA Graduate Students<br /> (Out of Print)<br /> $5-$10 Donation (proceeds to Sediment's programming)<br /> <br /> <br /> <br /> <br /> Visit Sediment to enjoy our 'Zine and Music Free-Viewing Library. An in-store only reference resource of items culled from the private collections of artists and musicians associated with Sediment. The storefront at SEDIMENT continuously grows to feature art, music, and design culled from local, regional, and international artists. We feature hard to find,... http://sedimentarts.org/ALBUM http://sedimentarts.org/following/sedimentarts.org/ALBUM Fri, 20 Dec 2013 15:36:39 +0000 SedimentArts 6956552 An ongoing collection of photographs at SEDIMENT beginning with our tireless renovations, and to the future of exciting gatherings, exhibitions, and events.<br /> <br /> <br /> <br /> BALTIMORE ALTERNATIVE ART FAIR 07.18.2014 - 07.20.2014<br /> Image 2 courtesy of Inga Shunn<br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-01_640.jpg" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-01_o.jpg" data-mid="44997295" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-01_640_2x.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-02_640.JPG" width="640" height="292" width_o="4096" height_o="1873" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-02_o.JPG" data-mid="44997321" border="0" align="left" data-title="640 — 640 × 292"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-02_640_2x.JPG" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-03_640.jpg" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-03_o.jpg" data-mid="44997332" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-03_640_2x.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-04_640.JPG" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-04_o.JPG" data-mid="44997371" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-04_640_2x.JPG" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-05_640.JPG" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-05_o.JPG" data-mid="44997408" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-05_640_2x.JPG" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-06_640.JPG" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-06_o.JPG" data-mid="44997506" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-06_640_2x.JPG" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-07_640.jpg" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-07_o.jpg" data-mid="44997509" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-07_640_2x.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-08_640.JPG" width="640" height="480" width_o="3264" height_o="2448" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-08_o.JPG" data-mid="44997536" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-08_640_2x.JPG" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-09_640.jpg" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-09_o.jpg" data-mid="44997558" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-09_640_2x.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-10_640.JPG" width="640" height="480" width_o="3264" height_o="2448" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-10_o.JPG" data-mid="44997592" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-10_640_2x.JPG" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-11_640.jpg" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-11_o.jpg" data-mid="44997610" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-11_640_2x.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-12_640.jpg" width="640" height="466" width_o="2048" height_o="1492" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-12_o.jpg" data-mid="44997623" border="0" align="left" data-title="640 — 640 × 466"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-12_640_2x.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-13_640.jpg" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-13_o.jpg" data-mid="44997658" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDIMENT-BAAF14-13_640_2x.jpg" /><br /> <br /> <br /> PEDESTRIAN DEPOSIT 05.20.2014<br /> Images courtesy of Nic DeSantis<br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/Screen-Shot-2014-05-21-at-4.18.35-AM_640.jpg" width="640" height="400" width_o="1280" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Screen-Shot-2014-05-21-at-4.18.35-AM_o.jpg" data-mid="44077565" border="0" align="left" data-title="640 — 640 × 400"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Screen-Shot-2014-05-21-at-4.18.35-AM_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Screen-Shot-2014-05-21-at-4.19.12-AM_640.jpg" width="640" height="400" width_o="1280" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Screen-Shot-2014-05-21-at-4.19.12-AM_o.jpg" data-mid="44077570" border="0" align="left" data-title="640 — 640 × 400"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Screen-Shot-2014-05-21-at-4.19.12-AM_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Screen-Shot-2014-05-21-at-4.20.05-AM_640.jpg" width="640" height="400" width_o="1280" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Screen-Shot-2014-05-21-at-4.20.05-AM_o.jpg" data-mid="44077576" border="0" align="left" data-title="640 — 640 × 400"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Screen-Shot-2014-05-21-at-4.20.05-AM_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Screen-Shot-2014-05-21-at-4.21.55-AM_640.jpg" width="640" height="400" width_o="1280" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Screen-Shot-2014-05-21-at-4.21.55-AM_o.jpg" data-mid="44077581" border="0" align="left" data-title="640 — 640 × 400"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Screen-Shot-2014-05-21-at-4.21.55-AM_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Screen-Shot-2014-05-21-at-4.23.16-AM_640.jpg" width="640" height="400" width_o="1280" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Screen-Shot-2014-05-21-at-4.23.16-AM_o.jpg" data-mid="44077588" border="0" align="left" data-title="640 — 640 × 400"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Screen-Shot-2014-05-21-at-4.23.16-AM_o.jpg" /><br /> <br /> <br /> <br /> POSSIBLE FUTURES Reception 05/02/2014<br /> Images courtesy of David Kenedy Photography <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8295-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8295-copy_o.jpg" data-mid="42434656" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8295-copy_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8206-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8206-copy_o.jpg" data-mid="42434570" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8206-copy_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8208-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8208-copy_o.jpg" data-mid="42434579" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8208-copy_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8212_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8212_o.jpg" data-mid="42434584" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8212_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8227-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8227-copy_o.jpg" data-mid="42434587" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8227-copy_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8231-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8231-copy_o.jpg" data-mid="42434594" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8231-copy_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8232-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8232-copy_o.jpg" data-mid="42434597" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8232-copy_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8239-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8239-copy_o.jpg" data-mid="42434601" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8239-copy_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8251-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8251-copy_o.jpg" data-mid="42434608" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8251-copy_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8254-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8254-copy_o.jpg" data-mid="42434617" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8254-copy_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8259-copy_640.jpg" width="640" height="960" width_o="800" height_o="1200" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8259-copy_o.jpg" data-mid="42434631" border="0" align="left" data-title="640 — 640 × 960"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8259-copy_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8265-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8265-copy_o.jpg" data-mid="42434636" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8265-copy_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8273-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8273-copy_o.jpg" data-mid="42434643" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8273-copy_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8278-copy_640.jpg" width="640" height="426" width_o="1200" height_o="800" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8278-copy_o.jpg" data-mid="42434648" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/Possible-Futures-8278-copy_o.jpg" /><br /> <br /> <br /> <br /> JOHN WIESE with I.G.M. and Broadcastatic 04/11/2014<br /> Images courtesy of David Kenedy<br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7504_640.jpg" width="640" height="457" width_o="1200" height_o="857" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7504_o.jpg" data-mid="42050367" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7504_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7504_24_640.jpg" width="640" height="457" width_o="1200" height_o="857" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7504_24_o.jpg" data-mid="42050431" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7504_24_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7489_640.jpg" width="640" height="457" width_o="1200" height_o="857" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7489_o.jpg" data-mid="42050439" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7489_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7483_640.jpg" width="640" height="457" width_o="1200" height_o="857" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7483_o.jpg" data-mid="42050447" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7483_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7462_640.jpg" width="640" height="457" width_o="1200" height_o="857" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7462_o.jpg" data-mid="42050456" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7462_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7461_640.jpg" width="640" height="457" width_o="1200" height_o="857" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7461_o.jpg" data-mid="42050462" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7461_o.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7452_640.jpg" width="640" height="457" width_o="1200" height_o="857" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7452_o.jpg" data-mid="42050470" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/IMG_7452_o.jpg" /><br /> <br /> <br /> <br /> YOU GET WHAT YOU GET Reception 03/07/2014<br /> Images courtesy of David Kenedy <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-26_640.jpg" width="640" height="457" width_o="3000" height_o="2143" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-26_o.jpg" data-mid="42050153" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-26_640_2x.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-25_640.jpg" width="640" height="457" width_o="3000" height_o="2143" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-25_o.jpg" data-mid="42050165" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-25_640_2x.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-13_640.jpg" width="640" height="457" width_o="3000" height_o="2143" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-13_o.jpg" data-mid="42050182" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-13_640_2x.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-11_640.jpg" width="640" height="457" width_o="3000" height_o="2143" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-11_o.jpg" data-mid="42050203" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-11_640_2x.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-4_640.jpg" width="640" height="457" width_o="3000" height_o="2143" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-4_o.jpg" data-mid="42050224" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-4_640_2x.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-2_640.jpg" width="640" height="895" width_o="2143" height_o="3000" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-2_o.jpg" data-mid="42050232" border="0" align="left" data-title="640 — 640 × 895"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-2_640_2x.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-1_640.jpg" width="640" height="457" width_o="3000" height_o="2143" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-1_o.jpg" data-mid="42050237" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-1_640_2x.jpg" /><img src="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-27_640.jpg" width="640" height="457" width_o="3000" height_o="2143" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-27_o.jpg" data-mid="42050145" border="0" align="left" data-title="640 — 640 × 457"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/You-Get-What-You-Get-27_640_2x.jpg" /><br /> <br /> <br /> <br /> MIND THE GAPS Reception 02/07/2014<br /> Images 1-4 courtesy of David Kenedy<br /> Images 5-9 courtesy of Wes McQuillen<br /> <br /> Fullscreen <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/ Mnd the Gaps IMG_0892_640.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/ Mnd the Gaps IMG_0892_o.jpg" data-mid="39321150" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/ Mnd the Gaps IMG_0892_o.jpg" /><br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/ Mnd the Gaps IMG_0893_640.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/ Mnd the Gaps IMG_0893_o.jpg" data-mid="39321159" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/ Mnd the Gaps IMG_0893_o.jpg" /><br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/ Mnd the Gaps IMG_0899_640.jpg" width="640" height="480" width_o="1200" height_o="900" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/ Mnd the Gaps IMG_0899_o.jpg" data-mid="39321161" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/ Mnd the Gaps IMG_0899_o.jpg" /><br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/ Mnd the Gaps IMG_0901_640.jpg" width="640" height="474" width_o="1143" height_o="847" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/ Mnd the Gaps IMG_0901_o.jpg" data-mid="39321148" border="0" align="left" data-title="640 — 640 × 474"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/ Mnd the Gaps IMG_0901_o.jpg" /><br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/52103_431162300350975_768956007_o_640.jpg" width="640" height="426" width_o="2048" height_o="1366" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/52103_431162300350975_768956007_o_o.jpg" data-mid="39321200" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/52103_431162300350975_768956007_o_640_2x.jpg" /><br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/1888893_431162900350915_511315480_o_640.jpg" width="640" height="426" width_o="2048" height_o="1366" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/1888893_431162900350915_511315480_o_o.jpg" data-mid="39321206" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/1888893_431162900350915_511315480_o_640_2x.jpg" /><br /> {<img src="http://payload232.cargocollective.com/1/14/462724/6956552/1655778_431162843684254_1028067916_o_640.jpg" width="640" height="426" width_o="2048" height_o="1366" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/1655778_431162843684254_1028067916_o_o.jpg" data-mid="39321183" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/1655778_431162843684254_1028067916_o_640_2x.jpg" /><br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/1795865_431162767017595_1097057007_o_640.jpg" width="640" height="426" width_o="2048" height_o="1366" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/1795865_431162767017595_1097057007_o_o.jpg" data-mid="39321188" border="0" align="left" data-title="640 — 640 × 426"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/1795865_431162767017595_1097057007_o_640_2x.jpg" /><br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/1415039_431162627017609_1460067384_o_640.jpg" width="640" height="959" width_o="1366" height_o="2048" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/1415039_431162627017609_1460067384_o_o.jpg" data-mid="39321192" border="0" align="left" data-title="640 — 640 × 959"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/1415039_431162627017609_1460067384_o_640_2x.jpg" /><br /> <br /> <br /> <br /> RENOVATIONS 10/2013-12/2013<br /> <br /> Fullscreen <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDMINET-renv-01_640.jpg" width="640" height="927" width_o="3300" height_o="4781" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDMINET-renv-01_o.jpg" data-mid="37589982" border="0" align="left" data-title="640 — 640 × 927"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDMINET-renv-01_640_2x.jpg" /><br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDMINET-renv-02_640.jpg" width="640" height="963" width_o="3300" height_o="4968" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDMINET-renv-02_o.jpg" data-mid="37590003" border="0" align="left" data-title="640 — 640 × 963"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDMINET-renv-02_640_2x.jpg" /><br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDMINET-renv-03_640.jpg" width="640" height="989" width_o="3300" height_o="5100" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDMINET-renv-03_o.jpg" data-mid="37590010" border="0" align="left" data-title="640 — 640 × 989"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDMINET-renv-03_640_2x.jpg" /><br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDMINET-renv-04_640.jpg" width="640" height="989" width_o="3300" height_o="5100" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDMINET-renv-04_o.jpg" data-mid="37590027" border="0" align="left" data-title="640 — 640 × 989"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDMINET-renv-04_640_2x.jpg" /><br /> <img src="http://payload232.cargocollective.com/1/14/462724/6956552/SEDMINET-renv-05_640.jpg" width="640" height="1291" width_o="3300" height_o="6660" src_o="http://payload232.cargocollective.com/1/14/462724/6956552/SEDMINET-renv-05_o.jpg" data-mid="37590036" border="0" align="left" data-title="640 — 640 × 1291"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956552/SEDMINET-renv-05_640_2x.jpg" /> An ongoing collection of photographs at SEDIMENT beginning with our tireless renovations, and to the future of exciting gatherings, exhibitions, and events. ... http://sedimentarts.org/CALLS http://sedimentarts.org/following/sedimentarts.org/CALLS Thu, 19 Dec 2013 20:15:17 +0000 SedimentArts 6956485 <img src="http://payload232.cargocollective.com/1/14/462724/6956485/Pluto-Graphic-Ideas.02_Page_02sm_670.jpeg" width="640" height="414" width_o="850" height_o="550" src_o="http://payload232.cargocollective.com/1/14/462724/6956485/Pluto-Graphic-Ideas.02_Page_02sm_850.jpeg" data-mid="56639978" border="0" align="left" data-title="640 — 670 × 433"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6956485/Pluto-Graphic-Ideas.02_Page_02sm_850.jpeg" /><br /> <br /> <br /> To: Pluto - Call for Sound Submissions<br /> <br /> In conjunction with the To: Pluto exhibition, Sediment is excited to issue a call for sound works and music that respond to the subject of the exhibition and the themes surrounding it. <br /> <br /> [View the UPCOMING page for more details about the exhibition]<br /> <br /> To address the time duration of the New Horizons’ flight from Earth to Pluto of 9 years, 5 months and 25 days, all submissions must be 9 minutes, 5 seconds, and 25 milliseconds long (or very close).<br /> <br /> Please upload your .wav files to Google Drive and send a downloadable link to SedimentArts@gmail.com with the subject line: Pluto Sound Piece.<br /> <br /> Submissions will be curated into an online collection. Six pieces will be selected for an official low-run cassette release by Sediment.<br /> <br /> Submissions are open until October 31, 2015 by 11:59pm.<br /> <br /> To: Pluto - Call for Sound Submissions In conjunction with the To: Pluto exhibition, Sediment is excited to issue a call for sound works and music that respond... http://sedimentarts.org/ABOUT http://sedimentarts.org/following/sedimentarts.org/ABOUT Thu, 19 Dec 2013 00:09:38 +0000 SedimentArts 6951827 Initiated in late 2013, SEDIMENT is an artist-run gallery and retail store located in Richmond Virginia.<br /> <br /> The gallery at SEDIMENT showcases relevant and engaging work by contemporary visual and performing artists from around the country through solo and curated group exhibitions and events. To join our email list and receive announcements, call for entries, and information about opening receptions subscribe via the form below.<br /> <br /> The storefront at SEDIMENT continuously grows to feature art, music, and design culled from local, regional, national and international artists. We feature hard to find, unique items including prints, clothing, jewelry, artist multiples and more. SEDIMENT's storefront also catalogs and sells the distros of various local and touring musicians and artists who exhibit or perform at Sediment.<br /> <br /> SEDIMENT's Director is Claire Zitzow. Assistant Director, Kim Zitzow. Other members include Dana Ollestad.<br /> <br /> SEDIMENT is made possible with the input and support of many local artists, friends, and family. Thank you to all who contribute to make this artist-run space a vibrant aspect of Richmond's creative community. <br /> <br /> LOCATION:<br /> 208 East Grace Street, Richmond Virginia 23219<br /> MAP <br /> <br /> HOURS:<br /> Friday and Saturday from 1pm - 7pm or by appointment. Summer hours by appointment only from June through August.<br /> <br /> CONTACT:<br /> sedimentarts@gmail.com<br /> Ph. 804-819-1759<br /> <br /> Subscribe to our mailing list<br /> Email Address *<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <img src="http://payload232.cargocollective.com/1/14/462724/6951827/SEDIMENT-gallerysun_640.jpg" width="640" height="480" width_o="4032" height_o="3024" src_o="http://payload232.cargocollective.com/1/14/462724/6951827/SEDIMENT-gallerysun_o.jpg" data-mid="37564791" border="0" align="left" data-title="640 — 640 × 480"data-hi-res="http://payload232.cargocollective.com/1/14/462724/6951827/SEDIMENT-gallerysun_640_2x.jpg" /> Initiated in late 2013, SEDIMENT is an artist-run gallery and retail store located in Richmond Virginia. The gallery at SEDIMENT showcases relevant and engaging...